Showing posts with label Springtime. Show all posts
Showing posts with label Springtime. Show all posts

Tuesday, 7 May 2013

Week 15: Jardin des Plantes


Jardin des Plantes


This week I happily realised just what an awful lot there is to know about the world, what a lot there is to take inspiration from. Every time I plan one of these shoots I find myself learning at least two or three new facts which I did not expect to – often things which are barely related to the original subject.

Jardin des Plantes, floral dress lace top



The human desire to know more about the world in which we live is inimitable – it is the reason why we have so many museums, so many galleries, so many science centres.  This characteristic explains the foundation of the Jardin des Plantes, France's main botanical garden. Founded in 1626 as a medicinal herb garden, the Jardin des Plantes is now home to four museums; The Entomology Museum, the Mineralogy Museum, The Palaeontology Museum and the Great Gallery of Evolution, (one of the many things I learnt this week, Entomology = study of insects) as well as an Art Deco Winter Garden, a Labyrinth, 2 hothouses and a small zoo. So it's a pretty buzzing place, if you'll pardon the pun. It was opened to the public in 1640 and is now predominantly a botanical school.

Jardin des Plantes, floral dress lace top fossil

Jardin des Plantes


This idea of acquiring knowledge, especially that which pertains to our being and development on Earth, links serendipitously well with my fave new thing what I learnt this week, that is, the existence of Zenna Henderson. 

Jardin des Plantes, floral dress lace top

Jardin des Plantes

Jardin des Plantes, floral dress lace top


Born in 1917, Zenna Henderson was one of the first ever female sci-fi writers. Although not necessarily a feminist, Henderson always wrote from a woman's perspective and never used a male pen-name. Writing during the 1950s and 60s, she was nominated for a Hugo award (award for best work of sci-fi/fantasy – another thing I learn this week!) in 1959. Her most famous works form part of a series about "The People", humanoid beings from a faraway planet who are forced to emigrate to Earth. These books follow their struggle to adapt to a new planet while still preserving their own culture.

Jardin des Plantes, 1950s floral dress lace top

Jardin des Plantes

Jardin des Plantes, 1950s floral dress lace top


For this piece of knowledge I have Erdem Moralioğlu to thank, since his beautiful, covetable, (sadly-inaccessible-for-people-like-me) Spring-Summer 2013 collection was inspired by her. The underlying idea for this collection was women trying to fit in on Earth but being perpetually on the outside, which he achieved by mixing strange fabrics (e.g. python and lace) and using "uncomfortable colour combinations" to give an impression of "Otherness". (Fun fact: the lace is actually embroidered PVC!)

Jardin des Plantes, 1950s floral dress lace top

Jardin des Plantes, 1950s floral dress lace top


The tailoring for this collection was inspired by the 1950s archives of the Swiss embroidery company Erdem collaborated with, nipped in waists, full skirts, box pleats. The 50s was also the era when Henderson wrote her “The People” series, so it all works out quite nicely! Speaking of things working nicely; not only did this Erdem collection introduce me to Zenna Henderson, it also gave me another excuse to whip out the florals. Quite apt for a garden as well – I love it when a plan comes together!

Jardin des Plantes, 1950s floral dress lace top

Jardin des Plantes, 1950s floral dress lace top net petticoat

Jardin des Plantes, 1950s floral dress lace top

For this week's outfit I took the 50s silhouette and the idea of layering lace over florals from Erdem with this lovely 1950s style vintage dress and lace singlet, nipping both in at the waist with a belt. To add another dimension, I also got some inspiration from Oscar de la Renta's SS13 line, another floral-heavy collection. Famous for his fabulous catwalk-worthy gowns as well as his wide-ranging appeal, ODLR's SS13 look was tremendously diverse but had recurring motifs such as the lace floralembellishments, plastic floral jewellery and floral brooches.

Jardin des Plantes, 1950s floral dress lace top

Jardin des Plantes, 1950s floral dress lace top


I made another nod to De La Renta’s princess-like skirts with this net petticoat but, unfortunately- or indeed fortunately – the material of the skirt was too heavy to sit lightly atop the underskirt and so it did drag it down a tad. However, I will rescue it by pointing out DeLa Renta's dipped hems, and pretending it was intentional! I finished off the look with some De La Renta-esque plastic flower jewellery and voilà.

Jardin des Plantes, 1950s floral dress lace top

Jardin des Plantes, 1950s floral dress lace top
Dress - Kilo Shop, Paris
Lace top - H+M
Belt - New Look
Shoes - vintage Louboutins, Rokit London
Necklace - New Look
Petticoat - Lindy Bop

For the first time since being here, the weather tricked me and turned out to be good! I was beginning to berate myself for choosing to do another outdoors shoot when we'd been promised rain, but it turned out to be gloriously sunny! Speaking of promises, I know I never promised you a rose garden, and it's probably just as well because there wasn't a flower in sight. Nonetheless, the trellises and archways made for a lovely setting for photos, and I'd like to think I was bringing all the flower power needed with my poppy-adorned dress. Till next week!  


Jardin des Plantes, 1950s floral dress lace top

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Tuesday, 23 April 2013

Weekly Wardrobe 8

As you may or may not have noticed, the format of the blog has undergone an alteration or two. It was, quite rightly, pointed out to me today that using the over-excited, tiled photo of the Eiffel Tower made it a bit difficult to focus on the pictures/read any of the words... Anyway, it's springtime and about time for a wee change so here it is; Dressing up in Paris mark two.

Working Wardrobe Paris, white and gold

Working Wardrobe Paris, white and gold

Working Wardrobe Paris, white and gold

Working Wardrobe Paris, white and gold

Working Wardrobe Paris, white and gold
Top - H+M
Skirt - Esprit (second hand)
Shoes - New Look
Necklaces and ring - H+M
Earrings - Vintage
To mark this completely un-momentous occasion, here's another weekly wardrobe post of what I wore today. Very much loving head-to-toe white or beige at the moment. It's the perfect canvas onto which to throw lotsandlots of jewellery.

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Monday, 22 April 2013

Week 13: Parc Montsouris


Parc Montsouris


This week we’re keeping things al fresco and moving from a garden to a park, but – more importantly – we are going to venture once more into one of France’s greatest exports: cinema. This week’s film may be a little more obscure than Amélie but it links quite nicely with one of the major inspirations behind many collections for Spring-Summer 2013, that is, the 1960s.

All stills from the film are screenshots I took myself.


 Agnès Varda is a French film director, actor, screenwriter, photographer and editor and a large part of the inspiration of this week’s shoot. Part of the Rive Gauche cinema movement from the mid-50s onwards, Varda was one of the most original and influential European filmmakers of her time. She and her Left-Bank contemporaries saw cinema as an art-form, similar to theatre or literature, and her films are tied to the nouveau roman literary movement and often display a distinctly experimental style.

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris blue 50s dress

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris blue 50s dress

Her second feature-length film, Cléo de 5 à 7, was made in 1962 and follows a young singer (Cléo) through 2 hours of her life as she waits for the results of a biopsy. The film also explores Cléo's transformation from a beautiful, objectified doll to a woman who sees and engages with the world around her.

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris H+M sunglasses

We studied this film at university in my first year, and so I'm trying very hard not to essay at you all! I must admit, I'm not sure I got it the first time around- Varda is such a brilliantly clever director, that there are all sorts of references and techniques that you can miss completely on a first viewing. That said, it is a beautiful film, set entirely in 1960s Paris, so it's worth a watch even if you aren't a pretentious ponce like me!   

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

A major turning point in the film is when Cléo meets a young soldier called Antoine in the Parc Montsouris and that was where we did this week’s shoot.  Despite Napoleon III's desire to create more green spaces in the city, the Parc Montsouris (opened in the mid-nineteenth century) has a less-than-savoury history. Formerly a quarry and a cemetery, it gets its name (which literally means “Mountain of Mice”) from the multitude of rodents who used to live there. Classy.

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris Marks and Spencers' nude heels

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

Luckily for us there wasn’t a whisker to be seen on Saturday and the only animals we encountered were the 
ducks and swan gracing the lake at the park’s centre. Not only attractive to bird-life, the shores of the lake are often visited by turtles, imported from Florida, who wish to sunbathe. I'm full of great facts, me.


Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

At the beginning of the film we see Cléo in light clothing which is often floaty or feathery and with her hair elaborately piled on top of her head. By the time Cléo reaches Montsouris she has undergone a major mind-set change which is demonstrated by the simplicity of her outfit. She has discarded the hairstyle (actually a wig), rid herself of her feathers and put on a simple black sheath dress.

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris
Dress - Lindy Bop
Belt - Vintage
Shoes - Marks and Spencer
Sunglasses and Necklaces - H+M
Scarf - Edinburgh Grassmarket

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

The sheath dress is possibly the most classic and timeless items of clothing there is. One of the simplest dress-shapes, it offers endless possibilities for re-invention and adornment, as can be seen by this season’s catwalks. Dior dipped the hems to alter the silhouette, and added layers of fabric, Lanvin added boxy tailoring, Sportmaxadded graphic patterns and mesh panels, but perhaps my favourite was Bottega Veneta who modernised the sheath by using a range of surprising patterns, bold fabrics and exciting new textures.

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

As for my outfit this week – I took my inspiration almost entirely from Cléo’s attire in the film – nipping in the waist with a vintage belt and using a variety of spiky jewellery to modernise this otherwise failsafe, classic look.

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

Hope you're all enjoying glorious sunshine wherever you are and that your weeks are going swimmingly. If any of you are interested in seeing Cleo de 5 a 7 you can watch the whole thing on YouTube (with English subtitles) by clicking here. See you soon!

Parc Montsouris Cleo de 5 a 7 Varda dressing up in Paris

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